I went into the weekend wanting to put my new toy through some more paces. My original plan was to drop duckies into a basin of water and catch that in slo-mo on the GoPro but that was a no-go. (I’ll revisit that idea later once I’m able to figure out workable logistics.)
Instead, I found a wide and shallow box top suitable for die-rolling, set up the camera, and threw some dice to see what kind of results I could get. My first setup used natural light, since the “bouncing duckies” test runs showed that the light tent could be a bit too bright. Unfortunately the natural light wasn’t enough so the video turned out a bit grainy. Not entirely unexpected, but also completely unsuitable.
Out comes the light tent! And in goes my entire D20 pouch contents:
Which was neat and all, but what really turned out great were a couple of my D6 test shots, one of which I kept & posted:
It’s wild just watching those last couple of dice turn… and turn… and turn… and finally settle. This is what I came here for, yes indeed. And now I have a fairly good idea just how slow I can go. I started with 240 frames per second and took that down to 23.97 in the converter. (Speed-ramping tricks are for another day. And, yes, the second video could really use it. I know.)
Next time… the previously-promised duckies, I hope!
I’m absolutely digging this GoPro HERO9. I did another session outside, because I cannot get enough of watching clouds go ‘vroom’.
I also wanted to play a bit with slow-motion video, and this afternoon I got that chance. I put together the light tent (as all advice I’ve read about doing 240fps video emphasized the need for good lighting), I gathered some handy duckies, Vyx had the bright idea of putting cling-wrap onto a small mixing bowl, and I found a pillow with a nice bit of “bounce” to it. The results are… modestly amusing:
My original plan was to do “speed ramping” in Hitfilm Express, but I learned today that the software is kind of… actually terrible at that. (Speed ramping is that moderately-overused “things are going fast then they slllloooooowwww doooooowwwnn and then go fast again” visual effect you see in a lot of action shows/movies lately.) So I just loaded up VirtualDub and said “yeah, take this 240fps thing and make it 30fps for me” and here we are.
Look, if nothing else I’ve found a fun new thing to do with duckies. Can’t go wrong, there.
Over at Cat Valente’s Discord, someone posted this image:
And yes, at first glance it’s kind of ridiculous and definitely hilarious on at least one level. Then I got to thinking.
Dejah Thoris is the titular (ahem) Princess of Mars. (She’s Princess of Helium, which makes one wonder if she talks with a weird squeaky voice, but that’s beside the point.) The Disney corporation released a movie, John Carter, based on the Edgar Rice Burroughs Martian novels, and Dejah is in that movie.
Therefore, Dejah Thoris is officially a Disney Princess.
And that cover you see above tracks better than it really ought to.
I’ve done little mixes before, some of which may even still be playable in the old blog archives. (I resist calling this thing a “blog” but let’s be honest here for a moment.) My music tastes are well known if you know me at all: Old pop, older prog rock, random J-pop, some heavy metal and EDM and so on.
My library grows nonetheless, and in some odd directions on occasion. I’m glad that even at the half-century mark I’m still getting into new stuff. To give you a clearer picture, perhaps, here’s a brief sampling of what I’m listening to nowadays:
I should run these down so you can explore further if you’re so inclined…
Public Service Broadcasting, “People, Come Dance” (from Bright Magic, 2021)
Battle Tapes, “Valkyrie” (from Polygon, 2015)
toconoma, “N°9” (from Newtown, 2017)
Midnight Oil, “Gadigal Land” (from The Makarrata Project, 2020)
The HU, “Sugaan Essena” (from the soundtrack to the video game Star Wars Jedi: Fallen Order, 2020)
Sparks, “Music That You Can Dance To” (title track of album, 1986)
Pet Shop Boys, “What are we gonna do about the rich?” (from Agenda EP, 2019)
Garbage, “No Horses” (bonus track from No Gods No Masters special edition, 2021)
KONGOS, “Keep Your Head” (from 1929, Pt. 1, 2019)
Of course, here I am the morning after assembling this mix and realizing I didn’t get any of the Sawano Hiroyuki “[nZk]” stuff in here, and that’s a grave oversight. There’s a stunning lack of Mono Inc and VNV Nation as well.
Decisions had to be made, couldn’t fit in everything, etc. Maybe next time.
I’ve been back on my Satisfactory you-know-what since late last year with no sign of letting up, aided by the kick-off of a co-op savegame with my daughter, who saw me streaming the game one day and expressed some interest. As of last night our multiplayer savegame is at the furthest point along the tech progression I’ve ever been in the game, and today that makes me ponder the differences between the solo Satisfactory game experience and the cooperative.
So let’s talk about co-op play’s pros and cons. (Not to be mistaken for prose and cones.)