I enjoy a fair number of what might be called “guilty pleasures” by those of higher brow than myself. Among these are anime, sword-and-sorcery programming, music by aging rock and roll bands, and swashbuckling period pieces. Monte Cristo is, of course, an example of that last category. The good news is that it actually is a pleasure and not merely guilty.

The best way I can describe this film is that it’s a straightforward tale of good guy, bad guy and lady fair. Betrayal, hardship, revenge, true love and even some light humor are all well-balanced elements in this film. There aren’t many surprises, not even for someone who hasn’t read the novels, since most of the elements that may or may not have been original in Alexandre Dumas’ original work have been used and abused in countless books and films since.

You know what? It doesn’t matter. This movie is fun, it’s good to look at, it’s pleasant to hear, and the funniest parts are the sly parts where the audience is let in on the joke that nobody else is meant to see or hear.

There’s nothing outstanding in the acting, the swordplay, the cinematography, the music or any of it, really. It’s not really meant to be a groundbreaking film, after all. It’s a throwback to the good old days of swashbuckling epics, and that is a blessing for the most part.

One thing about this movie, however, is so offensive to me that I docked an entire mark from the score on account of only a few seconds of film. When the final climactic swordfight begins, the movie suddenly rips you back into reality by pointedly reminding you that it was made during the Computer Age. Yes, that’s right, suddenly we get about 30 seconds of hyper-speed jump-cut digital editing! What the hell? The rest of the movie behaves so well, so gracefully, so like a movie that could have been made at any other time in the history of film… only to squander that grace with a lame, offensive, poorly-done attempt at heightening the intensity of the action at the last.

Nearly two hours I spent drawn cheerfully into the world of the film, only to be reminded, unpleasantly so, that I was in fact sitting in a modern movie theater. Grr. It’s a good thing that the rest of the movie is so damned good that I can almost… almost… forgive the filmmakers for that one major gaffe.

Overall, if you like period-piece swashbuckling melodrama, see Monte Cristo. If you’re into Matrix-style cyberpunk wire-fu, see something else.