Month: March 2005

  • Nausicaa of the Valley of Wind

    If you came here expecting an unbiased review, forget about it. I have the manga, I have a battered old VHS copy of “Warriors of the Wind,” and I’ve been waiting for a DVD release of this movie for ages. I love this old movie, and for the most part the DVD provides a valuable and rewarding experience.

    Let’s back up a bit, shall we? Cut to the mid-80s, and picture me holed up in a neat old house along a back-country road well outside of a tiny little town in Washington state. I was, oh, 16 or 17, and we had cable. Back then, “cable” consisted of about thirteen channels in all… USA, HBO, TNN, Cinemax, CNN, your local affiliates and probably WGN for some bizarre reason I’ve never fully understood. HBO and Cinemax, back then, were all about rotating rapidly through a small roster of films every month. This is the same way I ended up seeing stuff like “The Pirate Movie,” “Megaforce” and “Superfuzz” over and over and over again. (Shut up. I know. Just, shut up.)

    Now, I’d gotten hooked on Robotech and had all three of the “Art” books. (Come to think on it, I still do. Heh.) I knew what “anime” was, in general terms, but I didn’t think much more of it than simply, “Anime is where Robotech came from. Cool.” Then HBO put into rotation a movie called “Warriors of the Wind.” I watched it. Then I watched it again. In fact, during one particular two-week stretch of summer break when my stepdad left me to my own devices while he was back east doing job training, I watched that movie almost every time it came on. Somewhere in all of that, I taped it (on his clunky, two-piece VHS deck). (I still had that tape up until just a few years ago, when I picked up my retail copy of the movie.) Suffice to say that I got to a point where I didn’t necessarily need the sound on to follow all of the dialog.

    (A possibly-amusing side note: To this day, I still expect to experience a tape-glitch artifact during the scene where the Ohmu is watching Nausicaa from a distance after she’s herded the Giant Gadfly most of the way back to the Toxic Jungle. One of these days I suspect I’ll get used to not seeing and hearing it, since it’s been years since I watched that old HBO-spawned tape. Even during my DVD viewing last night, knowing full well it wouldn’t be there, I found myself surprised at its absence. Weird, huh?)

    I tell you all of this partly because I like reminiscing and partly so you understand that I have a strong attachment to this bit of film. This works in the DVD’s favor in almost every way, but actually detracts from it in one surprising area.

    Here’s the nutshell-synopsis: Young Princess Nausicaa of the Valley of Wind comes into conflict with various other tribes of what’s left of humanity, in a time set 1000 years after some kind of holocaust has covered the globe with destruction and unleashed a “toxic jungle” that houses poisonous plants and giant insects that will attack humans at the slightest provocation. It’s her belief that the jungle can be lived with in relative harmony, if people would simply stop trying to annihilate it and treat it as nothing but an enemy force. Plot ensues, shots are fired, hostages are taken, bugs run (and fly) rampant, and so on. If you’ve seen “Princess Mononoke,” think of this as the early draft, with somewhat clearer battle lines and more straightforward plot threads.

    For a twenty-year-old piece of anime filmmaking, it looks surprisingly good on DVD. Sure, you can see evidence of age from time to time, and it’s certainly not the sort of spit-and-polish computer-aided anime we’ve grown used to in the last few years. It is, however, undisputably a masterwork of its craft.

    In case you didn’t know, the previous English dub version, the aforementioned “Warriors of the Wind,” is generally regarded as a travesty of epic proportions. Part of that is because of the amount of material cut (more on that in a minute), and the other part is because of the dub work. (Okay, there’s also the incredibly misleading cover art. Hoo boy. Incredibly misleading, I say.) Because of the general opinion about the previous dub, I decided that my first viewing, or more accurately my first listening, had to be of the new English dub. It sports an all-star cast, blah blah blah. For the most part, they do well, but I have some quibbles.

    “Ohm”? The only explanation I can imagine for that is that someone told someone else somewhere along the line that trailing “u” sounds tend to be nigh-silent in Japanese, or something. It’s supposed to be “Ohmu,” dammit. I gave a little twitch every time I heard “Ohm.” I also had a problem with “peh-jyte,” where in my mind it’s been “peh-jee-tay” all along. (Okay, smarty pants, how would you pronounce “Pejite”?) Name pronunciations, I suppose, I’ll eventually get used to, but really now. Then again, at least they didn’t actually change 90% of the nomenclature like the previous dub is oh-so-guilty of doing.

    No, that’s not the really surprising part of the new dub. What gets to me is how much less character comes through in the voice acting compared to the “Warriors” dub. Keep in mind that “Warriors” is generally considered to be a poorly-acted, poorly-scripted mess… and there were times when I found myself missing the verve and wit put into that other dub. Lines that were moderately clever in “Warriors” come off as lifeless, if more faithful, scraps of dialog in this new “Nausicaa.” The new voice work is servicable, but rarely inspired. This is rather sad because there are some very good-sounding voices at work here. I’ll give Patrick Stewart credit for making a very good Yupa, and Uma Thurman as Princess Kushana turned out to be a great choice, but nobody else really distinguishes themselves. Not that anybody does a bad job. In some ways, it’s a compliment to generally-recognizable folks like Mark Hamill and Edward James Olmos that you aren’t pulled out of the movie by thinking, “Hey, I know that voice!” But… I don’t know. The dub lacks something, and that’s a shame considering how little it had to work to have been truly better than what came before.

    How does the movie sound otherwise? Generally, it’s quite marvelous. The musical score is certainly “very 80s,” which lends a kind of quaint atmosphere to things for a viewer nowadays. It’s still perfectly enjoyable, though, and the more so because now we have the whole movie to see and hear.

    This segues nicely into talking about all of that restored footage. During the scene of Nausicaa’s boarding the Torumekian airship as a hostage, in the “Warriors” version it goes from her walking up to the plane, and then with a sudden piano chord she’s waving from the doorway. That always seemed a bit jarring and odd to me, and now I know why. In the real movie, there’s a touching little scene involving three little girls who don’t want Nausicaa to go, and she promises that she’ll return soon. During that scene, there’s piano music… and the chord at the end flows naturally from that scene. Ah! This makes much more sense!

    That phrase, “This makes much more sense,” came to mind so many times last night that I lost count. It’s amazing to notice just how much of the movie was cut for the “Warriors” release. Big scenes, little scenes, tiny bits out of the middle of otherwise-servicable scenes… wow. Chop, chop, chop went the editors of the previous release. I won’t bother trying to cover even half of what’s “back in” this release, because I could be here for another hour just bringing them back to mind. Suffice to say that this movie makes a whole lot more sense than what you may have seen before. And if you’ve not seen “Warriors of the Wind,” well, spare yourself. Really.

    I’ve been rambling for a while now, and I think it’s time to wrap up. So, what do I think of Disney’s treatment of “Nausicaa of the Valley of Wind”? Overall, I give them high marks for a good-looking release, with a workable-if-underwhelming dub but (of course) the original Japanese track for those of us who tend to prefer that sort of thing. There aren’t any genuinely interesting extras, but I’m one of those weirdos who doesn’t care much about that. What I want is the movie, in as good a form as I can get it. This DVD delivers that, at least.

    If you are into animation at all, you owe it to yourself to try this disc out. If you’re an anime fan and haven’t already seen it, well, why the hell haven’t you? It’s Miyazaki, for heaven’s sake! If you like a nice little man-versus-nature ecological-disaster tale, you should enjoy this movie. In fact, the only people I can’t wholeheartedly recommend this movie to are those who dislike animation in its entirety. (It’s okay, we can still be friends, I suppose. Heh.)

    Again, in case you had any doubts: I love this movie.

  • Like Martha Stewart ripping the sand vein out of a shrimp’s tail…

    I figure you all could use something funny to read, and since I can’t provide it directly I might as well link you to somewhere that can. Go forth and laugh it up, friends.

    2004 Bulwer-Lytton Contest

  • My birthday present from Mother Nature

    One last present arrived late yesterday afternoon, in the form of Mt. St. Helens blowing her top for a while. Sure, years from now nobody will remember the exact date of this eruption or think of it as anything but part of “that string of eruptions that took place between 2004 and 20??,” but I think of it as a touching display of affection from Mother Nature nonetheless. An old chat buddy of mine sent me a pic of it, no less:

    If I can’t have fireworks, I might as well have a volcanic eruption, I always say.

  • Happy Birthday to ME!

    I turn 33 today. Huzzah, and stuff. A year older, five or ten minutes wiser, I figure.

    But really, it’s all about the nifty stuff. Let’s see… some comfy and stylish bedding, a cute picture to help decorate my room (in addition to a Swiss Army thumbdrive), a copy of “Eats, Shoots & Leaves,” a DVD of low-budget zombie movies, some money, some snackies, and various well-wishing emails. Not too shabby, I can’t complain.

    Here’s hoping my living situation will be such that I can pull off that 33-and-a-third party in July…

  • I’m so blogking this…

    Seen downtown, on the way from the MAX to the Amtrak station with Dawn this evening… the following signage, submitted for your amusement.

    I can only assume that they just couldn’t get their hands on a letter C. Ah well. Their loss is my gain.

    Because now, I’ve blog(k)’d their driveway. Heh.

  • Naminanu, what?

    So there was I was, at Fry’s, replacement parts in hand for the kids’ broken anime-viewing computer. Dawn had her Stellvia DVD and was looking for other stuff to buy tax-free at the Geek Mecca Of Portland, and Lil’ was outside waiting patiently with Geoffrey after having picked out her iPod. (She chose the 4GB model, in silver, in case you’re wondering.)

    For some reason I ended up wandering from poring over the anime box sets to poring over the music box sets. I didn’t find what I was looking for on the first shelf, but I turned around and discovered it on the other.

    It, in this instance, is the Genesis Archive #2: 1976-1992. The three CDs cover the usual boxed-set gamut from unreleased tracks and B-sides to live material and demos. Once I got home (after dinner at Kell’s… my tummy and Dawn’s both thank Lil’ very much!) I spent the first entire hour listening to various tracks and poring over the nifty booklet insert.

    So, why did I get it? You mean other than the fact that I’m a die-hard Genesis fan, that is? Well, this box has some tracks from the Invisible Touch and We Can’t Dance sessions that you can generally only find as B-sides, my favorites of which include “Feeding the Fire”, “On The Shoreline” and “Do the Neurotic.” There’s a song I’d never heard before, called “Naminanu.” (The geeky fanboy in me goes “Yay,” while the jaded media employee in me nods knowingly at the lack of mystery behind why the song didn’t make it onto the album.)

    The live tracks I was most excited about include cuts from the generally-disregarded And Then There Were Three… album, which is admittedly not one of the band’s strongest works. I got a kick out of hearing live renditions of “The Lady Lies” and “Burning Rope,” as well as “Ripples” and “Entangled” from the Trick of the Tail album.

    Included are a few tracks I’d consider filler, like the contents of the Pigeons EP, the fourth side of Three Sides Live, and a few remixes. On the other hand, it’s sort of nice to have even these not-so-rare birds collected in one place.

    The track I got the biggest kick out of hearing for the first time, though, was “It’s Yourself,” another bit of the Trick of the Tail sessions that didn’t quite make it on the album. I say “quite” because the bridge section does make it on… as the opening salvo of “Los Endos,” the instrumental power-medly that closes the record.

    So, yes, for the first time in many years I’ve had the chance to buy Genesis music and actually have something new to enjoy. It’s a damned shame that I’ll probably never have that pleasure again.