After years and years and years of development time, MediaMonkey version 5 arrived for general release. It’s new, it’s slick, it’s all that and a bag of chips. (Or crisps, if you’re from across the proverbial pond.)
It’s also, by default, a hideous mess of orange. So I did something about it.
Technically, all I did was change some settings in one file in the “dark” version of the default skin, but at least it’s less eye-searing now. If you want my (very slightly modified) version, download this ZIP archive and place the directory it contains (“Material Design (green)”) into the Skins directory of your MediaMonkey 5 program directory and restart the program. You should then be able to select it from the Skins setting.
I just finished listening to the Pet Shop Boys “The Parlophone Years” documentary/mixtape presentation at the BBC. It’s quite good and the interview bits run the expected gamut from informative to amusing to introspective, and you get bits and pieces of songs from nearly the entirety of their career. (They left EMI/Parlophone shortly before releasing their 2013 album, Electric.)
There are three main musical acts at the core of my library. Genesis (and most of its solo offshoots), Midnight Oil, and the Pet Shop Boys. Of those, only one remains active. What this documentary program reminded me of is that for basically my entire music-purchasing life I’ve been fortunate enough to get a new PSB record every so often, and nearly every time I’ve found something to enjoy about the new record. That’s a thirty-year-plus run of superb songcraft.
“Opportunities.” “Suburbia.” “It’s a sin.” “Left to my own devices.” “Always on my mind.” “Domino dancing.” “How can you expect to be taken seriously?” “So hard.” “Being boring.” “I wouldn’t normally do this kind of thing.” “Single.” “Yesterday, when I was mad.” “Closer to heaven.” “Integral.” “The Sodom and Gomorrah Show.” “Pandemonium.” “Did you see me coming?” “Love etc.” “Leaving.” “The pop kids.”
And that’s just selections you can hear bits of in the program linked above, to say nothing of, let’s say, “The end of the world” or “The Theatre” or “Metamorphosis” or “Up against it” or “To step aside” (look, Bilingual is an amazing album, okay?) or “Minimal” or “Twentieth Century” and so forth.
I feel like I’ve reconnected just a bit with one of the key threads woven into the fabric of my conscious life. Not a bad way to spend part of a day off, yeah? Yeah.
I’m back in the fediverse again. This time I’m not running my own instance. Though I tried. Boy did I try. I tried using the Docker method of building a Mastodon instance, which back when I was running the old ‘frell.co’ site was the preferred method (which of course I didn’t use when I built ‘frell.co’, ha ha). Oh, apparently that’s old hat and doesn’t really work anymore, great! I tried using the new official install instructions and… that didn’t work either. I gave up. (Which is a shame because I hoped to use a great domain name for it. Ah well. I’ll figure out something else to do with ‘earworm.me’ eventually.)
So I’m using someone else’s instance. We’ll see how it goes.
I’m still most active on Twitter but with every passing month it becomes more of a dumpster fire so having an exit strategy in place seems like a good idea. Here’s hoping it all pans out.
What you see there, as of this writing, is the result of plugging three or so shelves’ worth of information into the RateYourMusic system. Most of the editions were already there, I just had to pick and rate and tag. No problem! On the other hand… most of my Depeche Mode singles from before the Violator album are the 1988 German pressings, not the later 1991 “silver ring” motif versions. Very few of the 1988s were in the system, so guess who got to enter those all in?
Yeah, and I’d do it again, too. I’m weird that way.
At some point my whole CD shelf will be in there, probably by the time I’m done with my impending staycations this month…