Jon Crosby seems to be a guy who just likes noodling around musically. I’m not too sure about the direction he’s going lately, but I like a lot of the material he released under the guise of VAST. Please enjoy a song with the name “Song Without A Name,” a song I sort of panned in my review back when Nude came out named “Don’t Take Your Love Away,” and the song which got me hooked on VAST back when I was experimenting with MP3 downloading way back in the day named “Touched.”

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We’re about one third of the way through the project, my friends. Our next outing will once again send us back to the UK for a date with one of the most successful pop duos around.

Week number four introduces the truly foreign material. (Four, foreign, oh look how clever I am.)

Let’s be clear on something: I’m not a Japanophile, really. I happen to like some of their animators and some of their musical acts, and that’s the bulk of my cultural fascination. To better enjoy the animated stories, I do want to know enough background material. Beyond that it’s a matter of taking in whatever happens to catch my magpie dilettante attention. I am, of course, a curious fellow.

But you came here for the music.

I’ve tried to explain before that what works for me isn’t the meaning of the words but rather their sound as part of the whole musical experience. I can’t illustrate the concept any more clearly than with three KOTOKO tracks. Enjoy the mellow “Hitorigoto,” the metallic “Suppuration -core-,” and the merry “Swift Love.”

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If you find yourself hankering for words sung in English once again, you may find next week to be a vast improvement…

This one practically assembled itself, folks. Let’s see: It’s the 4th of July, and I happen to have a song which includes the lyrics, “I just flipped off President George.” Never mind that the song is from 1992 and is about George The First, Dada’s “Dizz Knee Land” fits the modern time very well, thank you.

Let’s go back to the early ’90s for a moment, though. If it wasn’t for the format switch at KGON then I might not be a Dada fan at all today. When Loren Steveson and I threw out all of the “non-classic” discs during the great purge, I snagged a copy Dada’s Puzzle album on general principle (I liked the single well enough but wasn’t sure if the band had blown their creativity on the one track), took it home, and fell in like. No, it wasn’t love, but there’s something about their jangly, trippy California rock sound that works for me when I’m in the right mood.

Picking from the other two Dada albums in my collection, American Highway Flower and their self-titled 1998 release, I follow up their original big hit with “All I Am” and “Spinning My Wheels.”

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Enjoy, and we’ll meet again in a week for something a bit more… foreign.

I only ask fifteen minutes of your time, this go-around. The music is modern, innovative and toe-tappingly good. As a bonus, there’s a whole lot less of my aimless yammering to suffer through. What more could you ask?

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By next week I’ll probably have the A/C unit in the window. That’s probably going to put a halt to the voice work for the duration of the project, I’m afraid. I had a hard enough time eliminating the outside noise with all of my windows shut, and the air conditioner is altogether too good at letting the outside world into my bedroom. How’s that for planning, eh?

That’s okay, though. I spent half of my time tonight just trying to hunt down the worst of the clicks and pops. Future weeks will be orders of magnitude easier to assemble if all I have to do is mix tracks and write up some color commentary…

Welcome to summer, friends.

I’ll warn you right from the get-go: This one’s a bit wordy, in part because of some introductory material that won’t need repeating. Future installments should feature roughly half the amount of jabberjaw on my part. With that out of the way… let the festivities commence!

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Believe it or not, I had this thing done four days in advance. My plan is to have two more in the can by next Friday and maintain an at-least-one-week buffer through the course of the season so I’m not doing last-minute panicky stupid things or (worse) dropping weeks. Anything’s possible, they tell me…

I have no idea whatsoever how this is going to sound on different speakers or headphones from mine, and that scares me because I know how lousy the headset microphone I’m using really is. What might kill this whole project faster than anything is that I might just not be able to stand the lousy production quality anymore.

Oh well. Worse come to worst, you’ll get music mixes with written commentary. That counts for something, I hope.

I don’t know if I’m ever going to get used to the way I sound when recorded.

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The original plan was to use parts of three different tracks for the music bed so that this would be a proper preview of the Summer Project. Alas, I couldn’t bear to cut away from Yuki Kajiura’s “Melody (Salva Nos version)” and so you get the whole thing. Shucky darn, eh?

Mind you, I also didn’t realize until I’d performed the final mixdown that I completely failed to refer to the music in any way… which is sort of the point of the project in the first place! It just figures.

Enough of playing coy, here’s the deal: I want to highlight fourteen musical artists every Friday from the start of summer until the beginning of autumn. Part of the plan is to record introductory and interstitial material for three songs per week, but I could scrap the voice thing and rely on the written word instead. Hence this test.

So, give it to me straight. Should I do it? Could you stand to listen to my voice once per week for fourteen weeks?